Exhibits to Visit: May
A monthly roundup of museum events, exhibits and deals you won’t want to pass by!
Sparks Museum and Cultural Center
Through June 14
Wally’s World: The Loneliest Art Collection in Nevada
The exhibit features 35 pieces of art from Wally Cuchine’s collection. In 1987, Life Magazine described US HWY 50 across the center of Nevada as the ―The Loneliest Road in America.‖ The magazine particularly mentioned the 287-mile stretch between Fernley and Ely as ―remote with few points of interest‖ and it urged travelers to have ―survival skills‖ to make the journey.
Sierra Arts Foundation
May 28-June 27
You could say Nancy Pippin, a Twinkies and Northern Nevada enthusiast, creates one-of-a-kind art. The real Twinkies used in the mixed media pieces were purchased on the day that the Hostess Company announced it was going out of business – November 16, 2012. Nancy Peppin is a watercolor painter, known for her images of Twinkies in history and in images of the Nevada landscape. Return of the Twinkies!
Nevada Museum of Art
Linda Besemer: Sine Language
Through May 19
Linda Besemer (b. 1957) is an abstract painter based in Southern California celebrated for her stunning, optical works that upend commonly held notions of what makes a painting. Her work subtly expresses, through formal means, her distinct political outlook. Normally one expects a painting to consist of pigment, whether oil, acrylic or watercolor, applied to some sort of ground, whether canvas, panel or paper. In an exciting subversion of tradition, Besemer creates double-sided paintings (“folds”) of pure acrylic pigment without a ground.
SPECIAL EVENTS
ARTBITE Linda Besemer on Sine Language
Friday, May 3 / noon
Join artist Linda Besemer for an exploration of her optical works that upend commonly held notions of what makes a painting. Cost: Free for members or with paid admission.
Mother’s Day Trunk Show
Saturday, May 11 / 12 – 3 pm
The Mother’s Day Trunk Show features ceramics artist Dane Meier whose pieces celebrate nature and crafting with clay. Cost: Admission to the Trunk Show is FREE.
ARTBITE Tamara Kostianovsky on Meat, Sculpture, and Identity
New York-based Argentine artist Tamara Kostianovsky explores ideas about identity, geography, culture, and history in her fabric sculptures of meat in Voces y Visiones. Cost: Free for members or with paid admission.
Artists’ Grove
The Garden
Special Delivery
Wilbur D. May Museum


The Discovery
For the past year, Durham and the
Join the Museum on Thursday, January 17 from 6 to 8 pm for Reno’s Mad Men: Celebrating the Oral Histories of Old Reno in Sound, Light, and Image. Listen to the voices of old Reno’s “mad men”, share your own stories, and enjoy a classic cocktail in the gallery, surrounded by the signs in The Light Circus: Art of Nevada Neon. $10 / $8 Museum members.
National Automobile Museum
Nevada Museum of Art
Movin’ & Groovin’ Party at the National Automobile Museum
For artist Chester Arnold, painting is as much about politics and social responsibility as it is about crafting luscious large-scale oil paintings in the tradition of nineteenth-century European artists. With sometimes dark humor, the paintings in
in paintings such as Histories (2010) are not unlike the paintings of similar despoiled landscapes painted by nineteenth century American artists working long before him. And Arnold has also made three paintings of large-scale strip mines, including Holding Pond (1996) seen from an aerial view. The sublime terraced canyons are punctuated by smoky canyons and smoldering fires with holding ponds that contain mineral-rich, blood-red or copper-green drainage run-off that has been left behind by the mining process. Arnold’s depictions of such altered landscapes bring the consequences of human progress to the attention of viewers.
Underlying Arnold’s critiques of America’s consumer culture is an implicit acknowledgment of the economic engine driving mass production. Many of Arnold’s paintings allude to corporate business culture and the resources required to keep offices running throughout the country. The Business in America is Business (2008) and Means of Communication (2008) both depict streets littered with discarded office correspondence, perhaps cast from the skyscrapers of urban financial districts during past ticker-tape parades. It is especially ironic that the global financial services firm Lehman Brothers acquired one of Arnold’s paper accumulation paintings, Means of Communication (2008), for its corporate art collection not long before the company declared bankruptcy in 2008—the largest U.S. bankruptcy filing in history.